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Graham Pardun's avatar

Ah, Martin -- how beautiful! Good lord! There is a story from the Vyatka labor camp—part of the Soviet gulag, in the remote wilderness of the taiga—of the childlike holy elder, Father Pavel Gruzdev, serving a liturgy with other prisoners, though they had no temple, no vestments, no chalice, no bread, no wine—nothing, except for their own precious human bodies and the impenetrable forest. “As in the first Christian centuries, when worship was often performed in the open air,” the story goes, “Orthodox Christians went out into the forest and began worship in a forest glade.” For the wine, they made juice from wild blueberries, strawberries, lingonberries, and blackberries. For a censer they had a tin can, the priests' vestments were prisoners' rags, the bishop's throne nothing more than a tree stump: “High pines, grass in the glade, cherubic throne, blue sky, wooden bowl with the juice of forest berries—everyone wept, not from grief, but from the joy of prayer.”

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Serena's avatar

Waving a Lace Hanky

This liturgy of the wild landed as I was on a train heading up to London, not to join The Queue, although I would if I'd been able as something deep had been urging me to make the pilgrimage. Not to join the Queue but to see Irish folk singer Lisa O Neill at the Queen Elizabeth Hall.

Cundrie's lace hanky, from her deep dark place of mystery and wisdom, ancient knowledge soaked into its delicate folds, jumped straight off the page. As I walked through Westminster to the river this afternoon I found myself listening for the third time, to Parzival (2018 recording) on what has unfolded into a strange, questing afternoon.

By chance I dived into Westminster Cathedral, a tremendous temple of marble and mosiac, Saints glittering on every ceiling, a holy place I once would seek shelter from the stresses of working in the thick of it up the road. With the air heavy with frankincense, a beautiful mass being sung, I joined the queue in time for a blessing. St Bernadette of Lourdes relic had passed through just the week before, probably on her way to Holywell, to meet St Winnifred's finger bone in whose icy waters I'd plunged just a fortnight ago. The divine feminine keeps showing up.

In the Lady Chapel, a glorious mosaic held a Tree of Life with Mary on one side, water pouring from its roots, its branches holding a vesica piscis with Jesus sat on a double rainbow. I was reminded of the double rainbow that had opened out over Buckingham Palace just around the corner just after the Queen died. This mandorla seemed to be the chalice in the tree. A place of origin for Grail keeper lace hankies. With that image, I walked on, accompanied by Parzival, negotiating the crowds as the old streets of Westminster filled with an anticipatory electricity. l passed my old office opposite Westminster Hall where the Queen was Lying in State. Somehow a whole portal opened up in this modern medieval landscape.

It's been a strange week, and the passing of the old era feels as though it is now coming to a head. London has changed so much even in the last five years since I left Her Majesty's Service And here was Cundrie waving her hanky, through the throngs, through the crowds setting up camp against the barriers on Whitehall, through The Queue, snaking along the bank of the Thames, with an oddly festival atmosphere, through the group of African nuns dressed all in white singing incredible harmonies as they walked, through the Pearly King with his Jubilee jacket, through the blood orange sky with Big Ben in silhouette as the sun set, through the full rainbow that appeared over the Queen Elizabeth Hall as the last rays hit the dome of St Paul's Cathedral, through the incredible songs of the evening, through the three gold coins we threw to the Thames from the middle of the bridge, marking the end of this Elizabethan Age.

"All the tired horses in the sun

How am I gonna get any riding done?"

Lisa O Neill singing Bob Dylan

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